A brief history of coming back from the dead: http://j.mp/2f6CXRu http://pic.twitter.com/uhUfDB5SSz
— Lapham's Quarterly (@LaphamsQuart) October 31, 2016
from http://twitter.com/LaphamsQuart
on: October 31, 2016 at 07:39PM
Aleister Crowley Reads Occult Poetry in the Only Known Recordings of His Voice (1920) http://j.mp/2eO37tQ http://pic.twitter.com/XWTa1mjXlk
— Open Culture (@openculture) October 31, 2016
from http://twitter.com/openculture
on: October 31, 2016 at 07:46PM
#Halloween #top20. No 9: Weird Tales, October 1929. Art by Virgil Finlay http://pic.twitter.com/CNJERZTrkJ
— Pulp Librarian (@PulpLibrarian) October 31, 2016
from http://twitter.com/PulpLibrarian
on: October 31, 2016 at 01:07PM
Happy Halloween from all of us here at Oxford and our finest gargoyles & grotesques. Tweet us your ghost stories as the night draws closer.. http://pic.twitter.com/v53MsPev6e
— Oxford University (@UniofOxford) October 31, 2016
from http://twitter.com/UniofOxford
on: October 31, 2016 at 12:45PM
today i'm feeling like a gastronomical singularity
— ✧ ➳ feelings.js ✧ (@feelings_js) October 31, 2016
from http://twitter.com/feelings_js
on: October 31, 2016 at 11:12AM
Witches' marks: public asked to seek ancient scratchings in buildingshttp://j.mp/2fmOwaD
— Fortean Times (@forteantimes) October 31, 2016
from http://twitter.com/forteantimes
on: October 31, 2016 at 06:17AM
@sovietvisuals More Bowie on Transib http://j.mp/2eM9BJN
— Kevin O'Flynn (@oflynnkevin) October 31, 2016
from http://twitter.com/oflynnkevin
on: October 31, 2016 at 08:39AM
#Halloween #top20. No 11: Dan Shocker's Macabros, 1973 http://pic.twitter.com/iObStaOksv
— Pulp Librarian (@PulpLibrarian) October 31, 2016
from http://twitter.com/PulpLibrarian
on: October 31, 2016 at 10:10AM
I expected musique, but there was none but only trumpets and drums, which displeased me.
— Samuel Pepys (@samuelpepys) October 29, 2016
from http://twitter.com/samuelpepys
on: October 29, 2016 at 10:42AM
Le Musée des arts et métiers présente, du 25 octobre 2016 au 26 février 2017, Machines à dessiner, une exposition exceptionnelle, fruit d’une collaboration avec François Schuiten et Benoît Peeters, auteurs des Cités obscures et de Revoir Paris. Pivot de l’exposition, le dessin s’y dévoile comme une activité à la fois technique et poétique, entre précision et imagination.
Réalisation : Vladimir Peeters
Musique : Bruno Letort
Plus d’informations → http://bit.ly/2clGcBt